The viral YouTube series “Skibidi Toilet” has found an unexpected home in Fortitude Valley, as the Brisbane Institute of Modern Art (IMA) hosts the first institutional display of the controversial series, drawing curious crowds and sparking debate.
From Viral Video to Contemporary Art
The “Skibidi Toilet” series, created by Russian-Georgian content creator Alexey Gerasimov, has taken social media by storm, amassing around 18 billion views since its debut. The 3D-animated series features bizarre scenes of animated toilets with human heads battling against camera-headed men in a surreal and often violent struggle. Despite being labelled as “brain rot” by critics, the series has become a cultural touchstone for Gen Alpha.
At the Brisbane Institute of Modern Art in Fortitude Valley, the series has been presented as part of the Quarter One program, curated by Nicholas Aloisio-Shearer. It marks the first time “Skibidi Toilet” has been shown in an institutional art setting, reflecting a shift in how contemporary art intersects with digital culture.
Cultural Impact and Community Reaction
The decision to showcase “Skibidi Toilet” came from a desire to acknowledge the growing influence of online content in modern art spaces. IMA director Robert Leonard wanted to explore what creators outside the traditional art world were producing, leading to Mr Aloisio-Shearer’s suggestion to feature the series.
Skibidi Toilet challenges conventional perceptions of art. The exhibition has particularly attracted young visitors, with some parents recognising the phrase from their children’s social media feeds.
The Controversial Appeal
The screening room at IMA has been transformed into a dark, immersive environment, where the series, complete with surround sound, creates an almost otherworldly experience. While some visitors remain sceptical of its artistic merit, others have been drawn in by its absurd yet captivating nature.
The series’ use of animated violence and its chaotic, meme-driven aesthetic has sparked conversation about the future of digital art in contemporary spaces.
What’s Next?
The “Skibidi Toilet” exhibition will continue at the IMA until 10 April 2025. Visitors can also purchase related merchandise at the gallery’s store. The response so far has been mixed, but the exhibit’s ability to draw younger audiences highlights a broader cultural shift in how art institutions engage with digital content.
Published 2-Apr-2025